lost épisode 1 saison 2

[PrincesseSara]

nisreene a écrit*: merci :-)

rien que pour toi - voici tous les dialogues de cet episode ;-)

Episode 1 - Man of Science, Man of Faith Written By Damon Lindelof Directed By Jack Bender -------------------------------------------------------------------------------- [Scene opens black with a blip sound; eye opens; green curser on computer screen; unknown man enters numbers and presses 'execute' button. He goes through a morning routine and injects himself with something from an Rx bottle that has the numbers on the label. He hears an explosion, gets weapons from a vault, turns the lights down, looks through a scope, adjusts mirrors so he can see the hatch area. Camera pans up to Jack and Locke looking down.] COMMERCIAL BREAK [Hurley & Kate standing near the hatch.] HURLEY: 4, 8, 15, 16, 23, 42. 4, 8, we're dead, 15, doomed and dead, 16, 23, 42... KATE: Hurley, you okay? HURLEY: Huh? Yeah, awesome. I just have to pee. Great idea, dude, go look into the burning death hole. [Kate, Jack, and Locke peering into the hatch.] KATE: What is it? JACK: It doesn't matter what it is. We blew the door so we could get everyone inside this thing so we could be safe. That plan is not going to work. We'll never get everyone down in time. [Locke drops a rock into the hatch.] KATE: Water. LOCKE: It's shallow. It sounds like a puddle. KATE: 40 feet down? LOCKE: 50 tops. If we could use the wire we pulled from the fuselage -- rig up a harness... JACK: John, we're leaving now. HURLEY: Yes, good idea. Let's do that. LOCKE: We all went through a lot to get here, Jack. JACK: The ladder's broken. You going to lower 40 people down there one by one? They're waiting for us to come back and tell them what to do, so let's forget about the harnesses. KATE: Jack? JACK: What? LOCKE: Why don't we all just calm down here. JACK: Look, if you want to go exploring in the morning that's fine, but tonight we're done. I'm going to go get the dynamite we didn't use and we're heading back to the caves. How about you pack it up, John? LOCKE: Sure, of course. JACK: Okay. LOCKE: Why don't you want to go down there, Jack? [FLASHBACK to Jack in the hospital ER -- woman being wheeled in on gurney.] EMT: Female, late 20's, no ID, she coded twice on the way over here. NURSE: Where's the other one? EMT: Right behind us. They're on their way -- Fire Department had to use the jaws. INTERN: What have we got here? JACK [entering]: Piece of the steering column. All right, let's go. Keep that collar steady. Page my father. INTERN: Already did. JACK [to EMT]: Tell me. EMT: Her tire blew, car jumped the divider, went head-on with an SUV. NURSE: BP's dropping. JACK: Pericardial's pierced. Was she driving? EMT: Yes, alone. JACK: Where's the driver of the SUV? [A man is wheeled in on a gurney.] EMT #2: Adam Rutherford, 57, chest trauma, no breath sounds. JACK [to Intern]: Tube Mr. Rutherford while I... INTERN: I can't intubate, you've got to. NURSE: Dr. Shepard, her BP's 80 over 60. NURSE #2: Dr. Shepard, his breathing's deteriorating. JACK [deciding to work on the woman]: Okay, need a syringe -- big one. You, hold pressure. [He pulls the piece of the steering column out of the woman's chest.] NURSE: 88 over 52, no radial pulse. JACK: I know. I know -- sac's flooded. Where's that... NURSE [handing him a syringe]: Right here. Got it? JACK: Yep. NURSE #2: Doctor, we're losing him. [Jack continues working on the woman as we hear the sound of Adam Rutherford's heart monitor flat-lining.] NURSE: BP stabilizing. NURSE #2: Time of death 8:15am. JACK: Okay, get me a blood gas and C-spine. Get her up to ICU and keep her immobilized. [We see that the woman Jack has been working on is Sarah.] SARAH [whispering weakly]: I want to dance at my wedding. INTERN: Did you hear that? NURSE: Sweety, you need to take it easy, okay. Just relax. INTERN: What did she say? JACK: She said she has to dance at her wedding. [Scene switches to people at the caves.] CHARLIE: No one is out there. No one is coming. REDSHIRT: But the French woman said... CHARLIE: The French woman is missing a bloody wing nut, you know. I mean, it was all bollocks. It's a ghost story. She set the fire herself. [Charlie sees Sayid looking at him] What? SAYID: Nothing. SHANNON [to various Redshirts]: Has anyone seen Vincent -- the dog? Anyone seen him? Has anyone seen the dog? SAYID: Where are you going? SHANNON: I lost the damn dog. [At the hatch.] HURLEY: Why'd you do that? Why'd you light the fuse, man? LOCKE: Why wouldn't I light the fuse? HURLEY: Maybe because I was running towards you, waving my arms, yelling "don't do that?" LOCKE [laughing]: Well, you've got a point there. I guess I was just excited to get inside. I mean, that's why we came here, isn't it? That's why we went all the way out to the Black Rock -- why we got the dynamite to blow the hatch. We did it so that we could get inside, Hugo. JACK: And to save everybody's lives. LOCKE: And to save everyone's lives. JACK: Or, maybe it was just our destiny, right John? LOCKE: Maybe. KATE: Guys, it's the hatch door, you'd better see this. [The word 'quarantine" is stenciled on the inside of the hatch door.] [Shannon and Sayid in the jungle.] SHANNON: Vincent! SAYID: It's not a good idea. SHANNON: I saw him 5 minutes ago. Besides, you're the one who said there isn't anyone out here. SAYID: I said we didn't see anyone. The dog will come back on his own. He always does. SHANNON: Watching that dog was the one thing anyone has ever asked me to do. If something happens to him... SAYID: When was the last time you slept or had something to eat? You're exhausted. SHANNON: I can't tell that kid that I lost his dog becase I was exhausted. [Sound of Vincent barking in the background. Sayid and Shannon try to flank him but he runs off and they follow.] SAYID: Vincent! SHANNON: Sayid! [Shannon loses sight of him] Sayid! Sayid, where are you? Sayid! Sayid! [Shannon falls and camera does several quick pans around. Then she "sees" Walt standing nearby.] SHANNON: Walt? [Walt shushes her.] SHANNON: What are you doing here? [Walt whispers something unintelligible (it's backwards). Shannon looks away and when she looks back Walt is gone.] SAYID:Shannon! What is it? What? COMMERCIAL BREAK [Locke and Kate walking back to the caves.] KATE: Why do you want to get down there so bad? LOCKE: -ly. Why do I want to get down there so badly. Jack thinks I'm crazy, doesn't he? KATE: Why, because you want to drop into a hatch that's been locked from the inside by a foot-thick steel door that says "quarantine?" LOCKE: Well, look at the bright side. The damage is done. KATE: The bright side? LOCKE: And if Jack thinks I've lost it, I can't blame him, really. Then again, 5 hours ago I was pulled into a hole by what appeared to be a column of black smoke. Did you see it, Kate? [The look on her face indicates that she did] Then I guess we're both crazy. Wonder what Jack thinks he saw? [Jack and Hurley walking back to the caves.] HURLEY: You should go ahead, man -- don't want Locke making time with your girl. [Jack shoots him a look] Joke, dude. JACK: I'm not really in the mood, Hurley. HURLEY: Really? Wow, usually you're, like, Mr. Haha. [Jack chuckles] There you go. Life's not so bad, right? I mean, sure the Others are coming to, like, eat us all -- and every once in a while someone blows up all over you, but you do get to sleep in every morning. JACK: Uh-huh. And the numbers? HURLEY: What? JACK: "The numbers are bad" -- that's what you were yelling right when I tackled you. HURLEY: Yeah, that's kind of a long story. JACK: I've got time. HURLEY: You'll think I'm crazy. JACK: Try me. HURLEY: Awhile ago I was in this kind of psych ward, and there was this guy, Leonard -- and all the time I knew him all he ever said were these numbers -- 4, 8, 15, 16, 23, 42 -- over and over and over again. And they kind of got stuck in my head. So, when I got out -- well, actually a couple of months after I got out -- I was buying a frozen burrito and I thought, hey, I should play the lottery. And I guess those numbers were still stuck in my head so I played them. And I won 114 million dollars. That's when it started happening -- my grandpa died, my house caught on fire, the chicken joint that I worked at got hit by a meteor -- well, actually meteorite. Okay, so tonight I see the same freaking numbers on the hatch thing -- just written on the side -- and that's why I tried to stop it -- because that thing is cursed, man. JACK: You were in a psych ward? HURLEY: I'm not crazy. JACK: I'm not saying you are. HURLEY: So, what? That's it? That's all? JACK: What do you want me to say? HURLEY: How about you believe me, man? JACK: Hurley, they're numbers. HURLEY: What's that thing where doctors make you feel better just by talking to you? JACK: Bedside manner. HURLEY: Yeah, that. Yours sucks, dude. [FLASHBACK to Jack in the hospital looking at Sarah's chart as she comes to.] SARAH: What happened to him? JACK: Just try to relax, okay? SARAH: The car that I hit -- the other driver was older. JACK: He died in the ER. SARAH: I can't feel anything. JACK: I know. SARAH: What's happened to me? JACK: You have a fracture-dislocation of your thoracic lumbar spine with multiple crushed vertebrae -- your back is broken. Your spleen is ruptured and bleeding into your abdomen and that has to be stopped. [Shot of Christian Shepard looking through a window at Jack and Sarah.] I'm going to perfrom surgery and repair as much damage as possible. But even the most optimistic result puts the likelihood of retaining any feeling or mobility anywhere below the waist extremely unlikely. SARAH: Oh. CHRISTIAN SHEPARD: Dr. Shepard, may I have a word, please. JACK: So, what did I do wrong? CHRISTIAN SHEPARD: You did something wrong? JACK:You're frowning. CHRISTIAN SHEPARD: My face is always this way. JACK: Dad, hey, c'mon, let's hear it. CHRISTIAN SHEPARD: You might want to try handing out some hope every once in awhile. Even if there's a 99 percent possibility that they're utterly, hopelessly screwed, folks are much more inclined to hear that 1 percent chance that things are going to be okay. JACK: Her spine's crushed. I tell her that everything's going to be okay -- that's false hope, dad. CHRISTIAN SHEPARD: Maybe. Maybe, but it's still hope. [Back at the caves.] SHANNON: I know what I saw. It was him. It was Walt. SAYID: Shannon, please lower your voice; you'll upset the rest of the group. SHANNON: I heard whispers. CLAIRE: Where? SHANNON: Everywhere. CHARLIE: What whispers? Who? SHANNON: I don't know -- them. SUN: Do you think something happened to the raft? SAYID: Nothing happened to the raft. Walt is with your husband, with Sawyer... SHANNON: Sayid, I know what I saw. CHARLIE [as the hatch group enters]: They're back. JACK: Uh, Locke found, uh, a hatch in the ground about a half a mile from here. We left to blow it open so that we could hide inside -- so all of us could hide inside, in case -- but that doesn't matter now because it's not going to work. There's no way for all of us to get down in there tonight. CHARLIE: Jack, where's Dr. Arzt? JACK: Um, he didn't make it. SHANNON: Did you see them? Did you see the Others? CHARLIE: Hey, Shannon, there are no Others; we've already had this conversation. SHANNON: What the hell would you know about it -- just because you didn't see anything? CHARLIE: There's no one out there. SHANNON: You don't know. JACK: Hey! Everything's going to be okay. Let's just take it easy. We're going to be alright. We're going to stay here tonight, okay, together. We've still got 4 guns; we'll put lookouts at all the entrances. We're all going to be safe as long as we stay together. The sun comes up in 3 hours and we're all going to be here to see that happen. I promise. [Locke enters carrying a cable.] John, what are you doing? LOCKE: I'm getting some cable. JACK: What for? LOCKE: It's for the hatch. I'm going in. JACK: Do you really think that's the smartest thing to do right now, John? LOCKE: I doubt it. In fact, you're right. The safest thing is to stay here -- wait for morning -- wait for these Others, to see if they show up -- wait for the brave folks on the raft to bring help -- but me, I'm tired of waiting. [Locke exits]. COMMERCIAL BREAK [CU of Jack off by himself at the caves, Kate enters.] KATE: So, do you believe it? JACK: Believe what? KATE: That everything's going to be okay? JACK: Yeah, I do. KATE: Kind of unlike you -- the whole glass half-full thing. JACK: There's a glass? KATE: You did a good thing saying what you said -- taking care of everybody and just giving them something to count on. If you weren't here, Jack... [long pause] I'm going to the hatch. I understand why you can't go. They need you here. I get it. I do. But Locke's going into that thing whether you like it or not. And if he falls and breaks his neck? Live together, die alone, right? JACK: Right. [FLASHBACK to Jack and Sarah's fiance, Kevin, in Jack's office.] JACK: Your fiance was seriously injured. It could take as long as 10, maybe 12 hours. I won't know how extensive the damage is until I get inside. KEVIN: She was going for a dress fitting and to look at tablecloths. JACK: When is it -- the wedding? KEVIN: It's 8 months. JACK: Well, I'm sure Sarah will have recovered by then. KEVIN: Um, what does that mean? JACK: There will be ongoing physical therapy, but if she works really hard... KEVIN: Well, well, will we be able to, you know, make love? JACK: You need to know that there's a chance Sarah may very well need professional care for the rest of her life. KEVIN: Like, she won't be able to go to the bathroom by herself? [Jack and Sarah in the OR.] SARAH: Come here. Come here. I want to tell you a little secret. Come on, closer. It's okay. I know I'm not going to be dancing anymore. I can still roll around at my wedding. You're invited, okay. JACK: I'm going to fix you. [Locke at the hatch. Kate enters.] KATE: I expected to find you half way down there by now. LOCKE: I was waiting for you. KATE: So you want me to go down first? LOCKE: Well, you're lighter. I can belay you down and bring you back up just as easy. The shaft might get narrower down there, too. KATE: You left out the part where you just want to see if I get eaten by something. LOCKE: Yeah, well, that too. [He fastens the cable harness around Kate] Not too tight? KATE: Got it. [She starts climbing down the ladder.] Wait, what do I say if I need to stop? LOCKE: Stop. KATE: Hmm, okay. Let's go. [As Locke is lowering her down, one of the trees holding the harness breaks and Locke barely holds on.] LOCKE: Kate, are you alright? KATE: Yeah, I dropped the light. Maybe we should... [Locke continues lowering her down] Well, okay then. 1, 2, 3, 4. [A light goes on inside the hatch] Stop! LOCKE: What is it? KATE: John, I think there's something down here. [Kate screams and a floodlight turns on.] LOCKE: Kate, are you alright? [Locke struggles as something pulls at the other end of the cable. Locke falls back as Kate's weight is taken from the cable. The floodlight goes out.] LOCKE: Kate! Kate! Kate! COMMERCIAL BREAK [Hurley and Jack at the caves.] HURLEY: You're kidding, right? You're going back? JACK [loading a gun]: Yeah. HURLEY: What about all that stuff you said about waiting 'til morning and watching the sun rise? JACK: I changed my mind. [Jack at the hatch.] JACK: Kate! Locke! [Getting no reply, Jack starts climbing down into the hatch.] [FLASHBACK of Jack running the steps at a stadium. Another person comes into view running faster than Jack. Jack tries to keep pace but hurts his ankle.] JACK: Ow, damn it. DESMOND: You alright, brother? JACK: I'm fine. I'm fine. DESMOND: Take it easy; keep the weight off. Here, let me have a look. Does this hurt? [Jack shakes his head] You haven't sprained it then. I don't fancy your chances of catching up with me, though. JACK: I wasn't trying to catch up. DESMOND: Aye, of course you weren't. JACK: What do you know about sprains, anyway? DESMOND: I was almost a doctor once. JACK: Small world. DESMOND: You a doctor then? [Jack nods. Desmond offers Jack his water bottle] So what's your excuse? JACK: Excuse? DESMOND: To run like the devil's chasing you. My excuse - I'm training. JACK: Training for what? DESMOND: A race around the world. Impressive, I know. So your excuse (unintelligible). JACK: Just trying to work a few things out. DESMOND: Ah, a girl, right? JACK: A patient. DESMOND: Ah, but a girl patient. What's her name? JACK: Her name's Sarah. DESMOND: What'd you do to her then? JACK: Do to her? DESMOND: You must have done something worthy of this self-flagellation. JACK: I told her -- I made her a promise I couldn't keep -- I told her I'd fix her and I couldn't. I failed. DESMOND: Right. Just one thing -- what if you did fix her? JACK: I didn't. DESMOND: But what if you did? JACK: You don't know what you're talking about, man. DESMOND: I don't? Why not? JACK: Because with her situation that would be a miracle, brother. DESMOND: Oh, and you don't believe in miracles? [Jack chuckles and shakes his head] Right. Well then, I'm going to give you some advice anyway. You have to lift it up. (He may be saying "lift her up".) JACK: Lift it up? DESMOND: Your ankle. You have to keep it elevated. It's been nice chatting. JACK: Jack. DESMOND: Jack, I'm Desmond. Good luck, brother. See you in another life, yeah? [Jack explores the inside of the hatch coming upon a lab room with computer equipment.] LOCKE [as Jack is about to press the 'execute' button on the computer]: I wouldn't do that. JACK [pointing his gun at Locke]: Where Kate? What the hell did you... [A gun comes into frame pointed at Locke's head.] COMMERCIAL BREAK [Jack in Sarah's hospital room as she comes to.] SARAH: Am I alive? JACK: Yeah. Yeah, you're alive. SARAH: You smell. JACK: Well, thank you. SARAH: You really smell. JACK: Yeah, I went for a run. SARAH: You smell like you ran far. JACK: I showered. I mean, I guess I just didn't cool. I wanted to get back down here and check on you. It was a Tour de Stade. SARAH: What? JACK: When you run all the steps in every section of a stadium up and down. SARAH: Why would you do that? JACK: I'm intense. SARAH: Did you finish? JACK: No, I hurt my ankle. SARAH: That sucks for you. Is Kevin here, my fiance? JACK: I didn't see him. SARAH: I'm, I'm sure he'll be back. JACK: Yeah. Yeah. Yeah, absolutely. SARAH: You going to tell me how it went? JACK: Sarah, the damage to your back was extensive. I did everything I could but your spinal column was... I couldn't repair it. You're going to be paralyzed from the waist down for the rest of your life. I'm sorry. I'm so sorry, Sarah. SARAH: You're yanking my chain, right? JACK: No. SARAH: Then how come I can wiggle my toes? [Jack checks the nerve response in her legs.] JACK: Can you feel this? SARAH: Yes. JACK: Can you feel this? SARAH: Yes JACK [getting more emotional each time]: This? SARAH: Yes. JACK: This? SARAH: Yes. [Back in the hatch.] GUNMAN'S VOICE: Move and I kill him. Put the gun down. JACK: Where's Kate? LOCKE: Jack, it's okay. GUNMAN'S VOICE: I said drop it! JACK: Where's Kate? LOCKE: She's fine, just put down the... JACK: I'm not putting anything... GUNMAN'S VOICE [firing the gun overhead]: Do you want him to die? Put it down. JACK: Is this what you were talking about, Locke? Is this your destiny? All roads lead here? LOCKE: Jack, calm down. GUNMAN's VOICE [as he moves behind Locke]: Lower your gun or I'll blow his damned head off, brother. JACK [recognizing that it's Desmond]: You.

[nisreene]

PrincesseSara a écrit*: nisreene a écrit*: merci :-) rien que pour toi - voici tous les dialogues de cet episode ;-)

merci, t'es adorable :rose:

[sWiW]

4+8+15+16+23+42 = 108

[tinky]

salam, bonjour, :-)

sWiW a écrit*: Je viens de voir le 2 éme épisode ;-d

Je confirme il est vraiment excellent ... vivement le 3 ème.

tawmat :-)

[PrincesseSara]

Episode 2 - Adrift

Written by Leonard Dick & Steven Maeda

Directed by Stephan Williams


--------------------------------------------------------------------------------

WALT: Dad, please! Dad!

MICHAEL: Walt!

[Sawyer pops up from underwater in front of the burning raft.]

MICHAEL: Walt! No! Walt!

SAWYER: Mike!

MICHAEL: Walt!

JIN: Sawyer!

SAWYER: Jin!

JIN: [Something in Korean!]

MICHAEL: Walt! Walt!

[Sawyer swims to a piece of the raft and pushes it toward Michael.]

SAWYER: Hang on Mike! Hang on Mike! Hang on.

[Sawyer grabs Michael as he's going under water, hauls him up onto the raft wreckage and starts pounding his chest to revive him.]

SAWYER: Mike! Mike!

[Locke outside the hatch just as the light floodlight goes out.]

LOCKE: Kate! Kate!

[He secures the rope and lowers himself down.]

COMMERCIAL BREAK

Tivo return time 0:07

[Sawyer hitting Michael's chest and then performing CPR until Michael revives.]

MICHAEL: Where's Walt?

SAWYER: I don't know.

MICHAEL: Where is he?

SAWYER: I don't know.

MICHAEL: Where the hell is my son? Walt!

[FLASHBACK of Michael in a custody attorney's office.]

ATTORNEY: How'd you hurt your leg?

MICHAEL: Got hit by a car.

ATTORNEY: Ow.

MICHAEL: Yeah.

ATTORNEY: So, this is the paperwork your ex-wife sent over.

MICHAEL: She's not my ex-wife, man. She's just -- Walt's mother. She, uh, Susan, she just got an new job in Rome -- the boyfriend -- they want to take Walt with them.

ATTORNEY: Don't worry, I'm going to take very good care of you, Mr. Dawn.

MICHAEL: Dawson.

ATTORNEY: Right, sorry, Dawson. So this boyfriend -- this is this guy Brian Porter?

MICHAEL: Yeah, why, what's it say?

ATTORNEY: It seems that Susan wants you to relinquish your rights as Walt's father so that Mr. Porter can adopt him.

MICHAEL: She wants me to sign my son away?

ATTORNEY: It's the only way they can proceed with the adoption. Listen, if you sign this document -- legally, he'll be no different than any other kid you pass on the street. You'll be giving up your paternal rights -- all of them.

MICHAEL: Yeah, so then, can I stop her from going?

ATTORNEY: Well, I guess we could file an injunction so she couldn't leave the city.

MICHAEL: Yeah, that, that. I want to do that.

ATTORNEY: Right. Um, Mr. Dawson, the fact that you came in through these doors -- that tells me something. It tells me that I'm the best that you can afford. If we go forward with this, it's going to take money. A lot of it, even at my rates. This is David and Goliath, so I've got to ask you -- are you sure you want to do this?

MICHAEL: They're not taking my son away.

[Michael and Sawyer on the piece of raft wreckage.]

MICHAEL: Walt! Walt! [coughs] Walt!

SAWYER: Mike, you should save your energy.

MICHAEL: They took my son!

SAWYER: Yeah, I saw that -- onto a boat which means he's not in shouting distance.

MICHAEL: You don't know that.

SAWYER: Well, I got a pretty good sense. And even if he was, there's nothing you can do.

MICHAEL: But if he can hear me, he knows that I'm alive -- that I'm coming for him -- that I'm going to get him back. Right now, all I've got is that maybe my son can hear me. Does that make any sense to you? Walt! Walt!

[Back at the hatch. Shot of the rope hung over the side, then Locke stepping in the water at the bottom.]

LOCKE: Kate.

[As he moves forward his shoes are squeaking so he takes them off. He sees the logo and moves into Desmond's living quarters. He hears Kate moaning, finding her on the ground.]

LOCKE: Kate.

KATE: John.

LOCKE: Easy, easy, easy.

KATE: Oh, John.

[We hear a gun sound and Locke turns to find Desmond standing there with an assasult rifle pointed at them.]

DESMOND: Are you him? Are you him?

[Michael and Sawyer on the raft wreckage.]

SAWYER: Jin! Jin! Jin!

MICHAEL: I thought we had to save our energy.

SAWYER: Yeah, well, Jin's still out there in the water, so if it's okay by you, I'm going to keep shouting for him. Jin!

MICHAEL: Feeling guilty.

SAWYER: What?

MICHAEL: You made me fire that flare.

SAWYER: I made you fire -- what, this is my fault?

MICHAEL: They took my son. They found us -- took Walt -- because you made me fire the flare.

SAWYER: At least Walt is on a boat -- probably wrapped in a blanket with a cup of cocoa -- while we're on this piece...

MICHAEL: Get off my raft.

SAWYER: What?

[The raft is hit by something from below.]

SAWYER: What the hell is that?

[We can see a shark under water, swimming in front of the raft.]

COMMERCIAL BREAK

MICHAEL: I see you managed to hold on to your best friend there [referring to Sawyer's gun]. That thing ain't going to work, anyway.

SAWYER: It'll work.

MICHAEL: You were under water.

SAWYER: What do you know about guns, anyway, Hoss. It'll work. [He starts slipping bullets out of the magazine] Bullets are dry, powder's dry -- powder's dry... [the raft is bumped by the shark again.]

MICHAEL: What the hell is that?

SAWYER: It's a shark. It's only a shark.

MICHAEL: It's only a shark? That's supposed to make me feel better? Well, I guess I know why the shark is hanging around -- your shoulder.

SAWYER: Oh, well, I'll just stop bleeding then. Did you suddenly forget what happened? Why I got shot?

MICHAEL: What?

SAWYER: Hey, how about a little gratitude here? I'm mean -- a thank you.

MICHAEL: Thank you? For what? For you trying to save your own ass?

SAWYER: You want me off this raft? You got it.

[Sawyer starts paddling with his arm to get to another piece of raft wreckage which he climbs up on.]

SAWYER: I was trying to save your damn kid.

[Michael and Susan meeting with lawyers.]

LIZZY [Susan's lawyer]: Let's talk about Walt, shall we, Mr. Dawson?

MICHAEL: Uh, sure, okay.

LIZZY: When was the last time you actually saw your son?

MICHAEL: Um, about a year ago.

LIZZY: It was 14 months, actually.

ATTORNEY: Is that a question, Lizzy?

LIZZY: Why is that Mr. Dawson? Why so long?

MICHAEL: Susan took him to Amsterdam -- for work.

LIZZY: And you didn't have a problem with that?

MICHAEL: Excuse me?

LIZZY: Well, since she's now going to Rome and you're filing an injunction. It just seems a little inconsistant to me.

MICHAEL: Incon -- no. No, no, no, no.

ATTORNEY: Michael, she's baiting - she's baiting you. Don't give her an answer.

MICHAEL: She took him, though. I didn't want her to go.

ATTORNEY: Michael, please.

MICHAEL [to Susan]: You said there was nothing I could do.

LIZZY: And you didn't do anything, did you?

ATTORNEY: He's not going to answer that question.

LIZZY: That's because there is no answer. You were in an accident recently, no?

MICHAEL: Yeah.

LIZZY: You had several surgeries, spent weeks in a private hospital room, extensive rehabilitation. Who paid for all of that, Mr. Dawson?

MICHAEL [to Susan]: I didn't ask you for anything.

LIZZY [to court reporter]: Could the record reflect that Mr. Dawson acknowledged that Ms. Lloyd paid his bills?

MICHAEL: Susan! Tell them -- Susan, tell them that I didn't ask you for anything.

LIZZY: Please don't address my client directly.

MICHAEL: But I didn't. [Michael's attorney interrupts him and whispers to him.]

LIZZY: Do you know what Walt's first words were, Mr. Dawson?

MICHAEL: I'm sorry, what?

LIZZY: His first words, do you know what they were?

MICHAEL: I -- no, I -- I wasn't there.

LIZZY: Do you know what his favorite food is? [Michael doesn't respond] Do you...

MICHAEL: No!

ATTORNEY: This is unnecessary.

MICHAEL: No.

LIZZY: Well, for someone who wants to retain his paternal rights so badly you don't seem to know much about your son, Mr. Dawson.

MICHAEL: I'm his father.

LIZZY: I'm sorry, could you say that louder please -- just for the record.

MICHAEL: I'm his father.

[Michael and Sawyer each on their pieces of wreckage. Sawyer is ripping his shirt where his bullet wound is.]

MICHAEL: Are you crazy? You're going to take a bullet out with your bare hands?

SAWYER: You got a better idea? [Michael doesn't respond] Then go to hell.

MICHAEL: You're never going to be able to do it by yourself.

SAWYER: I thought we parted ways, Mike.

MICHAEL: We're caught in the same current.

SAWYER: Still talking.

[Sawyer digs in the wound, screaming, and pulls the bullet out while Michael looks on.]

SAWYER: You got a bandaid?

[At the hatch.]

DESMOND: Are you -- are you him?

LOCKE: Yes. Yes I am.

DESMOND: I can't believe it. You're finally here.

LOCKE: Well, here I am.

DESMOND: Who's she.

LOCKE: She's with me.

DESMOND: What did one snowman say to the other snowman?

LOCKE: I don't know what you're talking about.

DESMOND: Get rid of the knife. You're not him.

LOCKE [discarding his knife]: We didn't come here to hurt you.

DESMOND: Yeah, then why did you come?

KATE: We were in a plane crash.

DESMOND: Were you now? And when was that?

LOCKE: 44 days ago.

DESMOND: 44 days? Move.

LOCKE: How long have you been down here?

DESMOND: Shut it. [He throws a rope to Kate] Tie him up. Do it!

LOCKE: Wait. Wait, wait -- you're tying up the wrong person.

DESMOND: How's that, brother?

LOCKE: It's pointless to tie me up, I'm not dangerous. But her, she's a fugitive.

DESMOND: So, what does that make you then, brother?

LOCKE: I'm a regional collections manager for a cardboard manufacturer -- boxes primarily.

DESMOND: All right then, box man, tie her up.

[Locke reaches for Kate and she pulls away angrily.]

KATE: Don't you dare touch me.

DESMOND: Hey! You be good girl, right?

[Locke turns Kate around and starts tying her wrists.]

KATE: What do you think you're doing?

LOCKE: I'm doing what's best for all of us.

[Locke slips a knife in Kate's jeans.]

DESMOND: Alright, bring her here.

KATE [struggling]: Oh, hey, John, wait, hey. Wait!

[Locke puts her in a storage room and closes the door.]

COMMERCIAL BREAK

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[Hurley and Jack at the caves.]

HURLEY: You're kidding, right? You're going back?

JACK: Yeah.

HURLEY: What about all that stuff you said about waiting 'til morning and watching the sun rise?

JACK: I changed my mind.

[Charlie and Claire.]

CLAIRE: What do you suppose all that's about?

CHARLIE: I reckon Jack's going to do something heroic. [Claire sighs and rolls her eyes] What?

CLAIRE: You always try to be funny when you don't want to answer a question.

CHARLIE: Try to be funny?

CLAIRE [finding the Virgin Mary statue]: What's this?

CHARLIE: Oh, I found it in the jungle.

CLAIRE: You found it?

CHARLIE: Yeah. Be careful. Be careful with it. Hey, take Aaron. [He hands the baby to Claire] You've got to be careful with it, you know. It's the Virgin Mary. She's holy.

CLAIRE: I didn't realize you were so religious.

CHARLIE: I'm not. It's just, you know, it might come in handy. It'd be a nice thing to have around.

[Michael and Sawyer on their pieces of wreckage.]

SAWYER: It wasn't the flare. I said it wasn't the flare. Those people that did this -- at first I thought they were fisherman or pirates or something. Then I got a good look at their boat. You know anything about boats, Mike? A boat like that wasn't built for the open ocean -- water's coming over the side with the first little squall -- maybe got a range of 100 miles. Nope, a boat like that had to have left port from somewhere close -- like the island. French chick said the Others were coming for a kid. I think they came, Mike.

MICHAEL: What?

SAWYER: He's the one they wanted -- why I got a bullet in my shoulder. Hell, Bluebeard blew us up because they wanted your kid.

MICHAEL: Are you saying this is my fault?

SAWYER: That's what I'm saying.

MICHAEL: They took my son because of you. They were sailing away.

SAWYER: They found us because they were looking for us, for Walt.

MICHAEL: Don't you ever say his name again, ever.

SAWYER: Oh, what are you to do, splash me?

[Michael splashes Sawyer, and Sawyer's piece of wreckage breaks apart. Sawyer swims back over to Michael's piece of wreckage and climbs on.]

SAWYER: Look, I know you...

MICHAEL: Shut up! Don't even -- you have no idea what it's like to care for somebody else.

[Susan alone in the lawyer's office as Michael enters.]

SUSAN: Hi.

MICHAEL: Where are your lawyers?

SUSAN: Out. I told them I wanted to talk just you and me. But if you want yours I understand.

MICHAEL: No, it's okay.

SUSAN: I think you're going to win.

MICHAEL: Excuse me?

SUSAN: In court. I think you're going to keep me from leaving the country with Walt. I just have to ask you why?

MICHAEL: Why what?

SUSAN: Why are you doing this?

MICHAEL: He's my son.

SUSAN: Since when, Michael? Look, I know you don't care about what's best for me, but in Rome I'll be senior partner at the firm. I'll be able to give Walt anything he needs. You're still on disability, Michael. You can't work. You're about to be evicted from your apartment.

MICHAEL: You got your lawyers checking up on me, now?

SUSAN: Well, of coure I did. Just like you had your lawyers checking up on me. Nobody's winning here.

MICHAEL: Then stop.

SUSAN: Michael, the first thing you need to do is take care of yourself. You need to get healthy. You need to get back on your feet financially so you can get back to pursuing your art. You have rare talent as an artist, Michael. But how are you going to do that -- any of that -- and still be a part of Walt's life?

MICHAEL: I do it by doing it. Walt is my responsibility, too.

SUSAN: Then let him go because it's not about you or me -- it's about him. I don't want to go court, Michael. So please just let him go.

[Back at the hatch. Kate struggles in the storage room to cut the ropes off her wrists. The room is filled with food supplies. Sees a vent, has an Apollo candy bar, and climbs up through the vent.]

[Scene changes to Locke and Desmond in the living quarters.]

LOCKE: The pilot said we had lost radio contact, but by then we were already a thousand miles off course. Any search teams would have given up weeks ago.

DESMOND: So you traveled from Sydney to Los Angeles?

LOCKE: Yes.

DESMOND: So the world is still out there?

LOCKE: As far as I know. Could you tell me your name?

DESMOND: My name? My name is Desmond.

LOCKE: Desmond, I'm John. You should know the gun is really unnecessary.

DESMOND: Yeah, so I should just hand it over to you then, should I? How many of you are there?

LOCKE: 43, but 4 sailed out this morning on a raft.

DESMOND: A raft?

LOCKE: That simulated sunlight -- is that because you never leave? Is there another way out?

DESMOND: How many of your group have gotten sick.

LOCKE: Sick?

DESMOND: Sick, as in ill, as in dead.

LOCKE: Is that why it says quarentine on the inside of the hatch...

DESMOND: Answer the question.

LOCKE: No one has. No one. No one is sick.

[The beeping signal is heard. Kate is shown moving through the ventilation ducts.]

DESMOND: Get up. [They go to the computer room.] Stand right there. Do you know how to use this, box man?

LOCKE: I haven't seen one of those in 20 years.

DESMOND: Do you know how to use it?

LOCKE: Yes.

DESMOND: Sit!

[We see a number countdown move from 2:38 to 2:37 to 2:36.]

DESMOND: Listen carefully, type in exactly what I tell you -- exactly, nothing else. 4, 8, 15... Did you hear that?

LOCKE: What?

DESMOND: What did you just put in? What number did you just put in?

LOCKE: 15

DESMOND: Right, 16, 23, 42. Now press execute.

LOCKE [hesitating]: What's going to happen?

DESMOND: Just push it!

[Locke pushes the execute button, and the counter resets to 108:00]

[Off camera we hear Jack's voice.]

JACK: Kate! Locke!

DESMOND: Who the hell is that?

LOCKE: That would be Jack.

COMMERCIAL BREAK

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[Desmond pushing Locke through the hatch. He looks through the scope and sees Jack.]

DESMOND: Who is he?

LOCKE: His, uh, his name is Jack. He's our doctor.

DESMOND: What is he doing here?

LOCKE: To be honest with you I'm a little surprised to see him.

DESMOND: Your doctor has a gun, brother. [He shoves Locke] Move. [He turns on the music] Make one sound and I'll shoot. Move.

[Kate can see Jack in the computer room and calls out to him, but he can't hear her.]

LOCKE: I wouldn't do that, Jack.

JACK: Where's Kate? What the hell did you...

DESMOND [still behind a wall holding a gun to Locke's head]: Move and I kill him. Put the gun down.

JACK: Where's Kate?

LOCKE: Jack, it's okay.

DESMOND: I said drop it.

JACK: Where's Kate?

LOCKE: She's fine. Just put down the...

JACK: I'm not putting down anything.

[Desmond fires his gun which hits near where Kate is, in the vent.]

DESMOND: Do you want him to die? Put it down.

JACK: Is this what you were talking about Locke? Is this your destiny? All roads lead here?

LOCKE: Jack, calm down.

DESMOND [moving behind Locke]: Lower your gun or I'll blow his damned head off, brother.

JACK: You.

[Michael and Sawyer on the water. Sawyer sees one of the pontoons and tries to paddle the piece of wreckage over to it.]

MICHAEL: What the hell is that? Part of the raft -- one of the pontoons. Stop paddling. Hey stop it. You're putting a strain on the binds; it's going to break us up. [Sawyer just keeps paddling.] Damn it, you're going to...

[The piece of raft starts to break apart and Sawyer ends up in the water.]

MICHAEL: Hey Sawyer! Climb up.

SAWYER: I do and we both sink. I'm going for the pontoon.

MICHAEL: Don't be an idiot.

SAWYER [handing Michael the gun]: You see that toothy son of a bitch, you aim and squeeze, got it?

MICHAEL: Got it.

[Sawyer swims for it, and the shark goes for him. Michael pulls the trigger but nothing happens. Michael fires again several more time and we see blood spray.]

MICHAEL: Sawyer! [Michael starts paddling over to the pontoon.] Sawyer! Sawyer!

[Sawyer pops up on the other side of the pontoon.]

SAWYER: Give me your hand.

[Michael helps Sawyer climb onto the pontoon, and climbs on himself.]

COMMERCIAL BREAK

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[Michael in a park. Susan and a young Walt enter.]

SUSAN [to Walt]: There he is, do you see him?

MICHAEL: Hey.

SUSAN: Hey, I'm sorry I'm late -- packing's been a disaster and the plane leaves first thing in the morning.

MICHAEL: Sure, no problem.

SUSAN: Uh, you want to say hi, Walt?

MICHEAL: Hi, Walt. I'm... hey, uh, [pulling a stuffed polar bear out of a bag] this is for you, man. [To Susan] He like bears?

SUSAN: Yes, sure, he's just really shy.

MICHAEL [kneeling down to talk to Walt]: Hey little man, look, I guess I can't call you that -- I mean, because look how big you are. So, you and I -- well, we're not going to see each other for a while, Walt. But you are going to have a great life. I know your mommy, she's going to take real good care of you. And Brian is going to take good care of you, too. But, you know what? I just want you to know that no matter where you go that I -- that your daddy -- yes, your daddy -- he loves you very, very much. And I always will. Always, okay.

SUSAN: I'm sorry -- this...

MICHAEL: It's okay. Uh, hey, here [handing her the bag] -- just, you know -- you know, let him know it's from me -- sometime.

SUSAN: Okay. Goodbye, Michael.

MICHAEL: Yeah, bye.

[Michael crying on the pontoon.Sawyer wakes up.]

SAWYER: You alright, Mike?

MICHAEL: It's my fault.

SAWYER: What?

MICHAEL: I never should have brought him on the raft. I'm going to get him back. I'm going to get back my son.

SAWYER: How about that? [They see land] The current brought us back. We're home.

[Sawyer and Michael walk up on shore. They hear Jin yelling.]

SAWYER: Jin?

[Jin's comes running onto the beach with his arms tied behind his back.]

SAWYER: Jin!

[Jin falls and Michael unties him while Jin's talking in Korean, obviously scared.]

Jin: Others. Others. [Jin sees the Others.] Others.

[Sawyer and Michael turn to look and we see a group coming of people coming toward them carrying crude club/mace type weapons.]